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Licensing electronic rights: a starter for 10 - by David Attwooll

David Attwooll, Director of Attwooll Associates Ltd, a publishing

consultancy and licensing agency specializing in electronic media

 

Finding the right customers in the area of electronic rights usually requires active

hunting, and there are technical issues around delivering content. Electronic

rights deals can be very time-consuming and, as with all rights, can be done

in-house or outsourced to a specialist agency. Here are some pointers:

 

1. Electronic markets are more various than book markets, and can be segmented

in similar ways. But they can also sorted by ebusiness type, including:

 

 

2. Understanding your ecustomer’s business model facilitates successful

licensing deals – for example, do they charge subscriptions, sell individual

ebooks, or rely on advertising revenue?

 

3. What do you actually own? What rights do you have to sell or license?

Conducting an audit of your intellectual property assets (including image rights)

is a critical first step.

 

4. Information-based content works well on screen and in searchable databases,

especially non-fiction and learning materials not organized in continuous prose.

Any metadata enabling users to find immediately what is relevant to them is

extremely valuable: the structure and formal tagging of content (including

images) are key elements.

 

5. Electronic file formats are becoming more generic. Using a flexible data

structure such as XML facilitates many deals. Many e-customers (especially

ebook companies) will also take adapted PDFs.

 

6. There are some industry norms for electronic licensing deals. Firstly, licensing

deals are non-exclusive. The definitions of e-rights granted will not usually be

territorial or by retail sales channel (as for print rights), but by specific product,

platform and market. Definitions should prevent data being reused in other

products (possibly in small chunks) by the same e-companies. Regarding payment

terms, for licences to aggregators of larger data products, advances or minimum

annual guarantees and a royalty based on usage are often achievable. By contrast,

ebook agreements are distribution deals, so revenues are retrospective, and

should be seen as net of an agreed discount (rather than a royalty).

 

7. Online users expect up-to-date content, and publishers may be required to

provide updates. This is both an organizational problem and a commercial

opportunity to add greater value.

 

8. Licence periods should be short and some control over the start date should

be specified (since launches are often delayed).

 

9. Security of data is essential and should be covered in the contract. Similarly, it

does not make sense to license unabridged, valuable data to a paying customer

who is then giving it away free on the web. Smaller subsets are usually sufficient

here.

 

10. Acknowledgements and feedback: in addition to full publisher and copyright

credits it is often possible to negotiate links to the publisher’s website. Analysis

of actual usage can be specified in the agreement and is extremely useful in

improving editorial content.